• # Basic Negotiating for Fun and Profit

Many independent developers eventually find themselves in a situation where they must negotiate a contract for the first time, such as for a retail publishing deal. And many developers are taken advantage of on their first deal because of a lack of basic negotiating skills. This article will attempt to give you a general understanding of how to negotiate a fair deal.

The first thing you must learn are the three variables of negotiation: time, information, and power. You can remember these easily with the acronym "TIP," so the next time you have to negotiate an agreement, you'll remember the "TIP" to think in terms of time, information, and power.

[size="5"]Time

The rule of time is that whoever has the loosest time constraints has an advantage in any negotiating situation. This means that if a publisher comes to you, and they say they need your product for Christmas, you know that they have a deadline, and this gives you an advantage. Whenever possible, always find out if the other party has a specific time frame or deadline in mind. The party with the tighter time constraints will often make concessions at the last minute in order to make their deadline. In fact, the best concessions are generally made after the deadline has passed. Deadlines can often slide by a few days, and as soon as the first deadline passes, it tends to make people more flexible if they still want the deal to go through.

Time is also a factor if you only have a limited amount of time to use for negotiating. If you fly out to meet with someone to negotiate a deal, and they know when you have to catch your return flight, they may attempt to stall and run down the clock in the beginning, leaving the biggest issues to the last minute when you are forced to make concessions. You are always at a disadvantage when you are forced into a set period of time in which you must reach an agreement. Avoid this situation whenever possible. You can negotiate most effectively when the other party perceives that you have all the time in the world. Incidentally, a relatively high percentage of deals are finalized on Fridays. The perceived time pressure to get things finalized on Friday so everyone can enjoy the weekend makes this a common occurrence.

[size="5"]Information

The rule of information is that whichever party has the best information has an advantage. Find out as much as possible about the other party, especially how your deal would fit into their overall situation. If they're a public company, get a copy of their annual report, and find out how their stock is doing. Read their press releases, visit their web site, and learn as much as possible about them. The more pertinent information you have, the better. This is one case where the small independent developer has the advantage, since it's often easy to find information on a large company and tough to find out anything about a small one.

For instance, if a publisher approaches you, find out what other products they've published, and contact the developers. Find out what those developers thought of working with this publisher. Ask the publisher for references, and if they refuse to provide any, be aware that this is a big red flag.

I recently received a offer from an unfamiliar publisher. I visited their web site, found a list of developers whose products they published, and sent a short email to each developer. Most responded, and what I learned was specific and negative. I turned down this publisher rather quickly after that. Sometimes the right information can tell you that a deal is not worth entering.

[size="5"]Power

The rule of power is that whichever party has the greatest perceived power has an advantage. Power is the wildcard in any negotiation. Power refers to the ability of the one party to create leverage over the other. For instance, you may be at a disadvantage when negotiating with your boss, since s/he may have the power to fire you or promote you. However, if you are an indispensable employee that the company needs to survive, then you have a great deal of power. Note that this is perceived power, meaning that it only works if the other party perceives its presence. Toddlers are the best negotiators in the world, since they have the ability to scream their lungs out in public; this doesn't concern the toddler, but it will create instant leverage in any parent.

Your attitude towards a particular deal can make a big difference in your level of power. If you need a deal in order to pay your bills, and the other party knows this, then you are at a serious disadvantage. If you don't need a deal at all, but the other party is in a desperate situation, then you have an advantage. In any publishing deal, it will help if the other party perceives that you don't need the deal, even if you do. It help raises your level of power in the eyes of the other party. As soon as you reach the point where you decide the deal must happen, you lose a great deal of power and will likely make many unwanted concessions at the last minute. Treat every deal like a bonus that you can take or leave with impunity. Until the contract is signed, always be mentally open to the possibility that you won't reach an agreement.

The three variables of time, information, and power will help you get an idea of how much leverage you'll have in any negotiation. The hungry person isn't going to get a good deal when negotiating for food, nor will the person who doesn't know what food is supposed to cost, nor will the person who has only one source for food.

[size="5"]Go for win-win or no deal

Having negotiated a variety of deals myself, I am convinced that it's in everyone's best interest that both parties be committed to a win-win deal. In my experience the only deals that stick are those that are win-win. Deals that turn out lopsided tend to fall apart somewhere down the line or end up in lawsuits and badly burned bridges. Whenever you negotiate, think of solutions that will satisfy both sides' needs, not just your own. Whenever a publisher sends me a contract that is massively in their favor, I know instantly that I'm dealing with a win-lose negotiator. I've never entered a good deal when the initial agreement started out very lopsided. A fair publisher will generally start with a fair agreement. If you find that you're shaking your head at every paragraph, it's probably best to walk away. It will save you a lot of time in the long run. More than once I've sent the first contract back and asked for a real contract. If the publisher plays dumb after that, I know they're looking for suckers, so it's time to walk away.

[size="5"]Decide what you want in advance

Before starting any negotiation, decide what are your "must have" terms, "nice to have" terms, and "must not have" terms. For instance, perhaps you decide that you want to get 20% royalties, that 10-15% would be acceptable, and that less than 10% be unacceptable. If you decide this in advance, you will be able to prevent yourself from making unwanted concessions that you later find unacceptable.

[size="5"]Commit everything to paper

Never sign a contract that doesn't accurately reflect what you've verbally agreed to. Sometimes a publisher will tell you one thing and then send you a contract that says something entirely differently. When questioned, they may give the excuse, "that's just our standard agreement; everyone signs it." Then they'll go on to say how it's too much trouble to change the written contract. This is utter and complete B.S., so don't buy it. Once you sign the contract, your deal is what's in writing and only what's in writing. Even with the best of intentions, people can leave companies, and then their replacements will have only the written agreement to go on. This has happened to me more than once. If you don't get it down on paper, it's as if it didn't exist.

[size="5"]Never negotiate against yourself

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