• Announcements

    • khawk

      Download the Game Design and Indie Game Marketing Freebook   07/19/17

      GameDev.net and CRC Press have teamed up to bring a free ebook of content curated from top titles published by CRC Press. The freebook, Practices of Game Design & Indie Game Marketing, includes chapters from The Art of Game Design: A Book of Lenses, A Practical Guide to Indie Game Marketing, and An Architectural Approach to Level Design. The GameDev.net FreeBook is relevant to game designers, developers, and those interested in learning more about the challenges in game development. We know game development can be a tough discipline and business, so we picked several chapters from CRC Press titles that we thought would be of interest to you, the GameDev.net audience, in your journey to design, develop, and market your next game. The free ebook is available through CRC Press by clicking here. The Curated Books The Art of Game Design: A Book of Lenses, Second Edition, by Jesse Schell Presents 100+ sets of questions, or different lenses, for viewing a game’s design, encompassing diverse fields such as psychology, architecture, music, film, software engineering, theme park design, mathematics, anthropology, and more. Written by one of the world's top game designers, this book describes the deepest and most fundamental principles of game design, demonstrating how tactics used in board, card, and athletic games also work in video games. It provides practical instruction on creating world-class games that will be played again and again. View it here. A Practical Guide to Indie Game Marketing, by Joel Dreskin Marketing is an essential but too frequently overlooked or minimized component of the release plan for indie games. A Practical Guide to Indie Game Marketing provides you with the tools needed to build visibility and sell your indie games. With special focus on those developers with small budgets and limited staff and resources, this book is packed with tangible recommendations and techniques that you can put to use immediately. As a seasoned professional of the indie game arena, author Joel Dreskin gives you insight into practical, real-world experiences of marketing numerous successful games and also provides stories of the failures. View it here. An Architectural Approach to Level Design This is one of the first books to integrate architectural and spatial design theory with the field of level design. The book presents architectural techniques and theories for level designers to use in their own work. It connects architecture and level design in different ways that address the practical elements of how designers construct space and the experiential elements of how and why humans interact with this space. Throughout the text, readers learn skills for spatial layout, evoking emotion through gamespaces, and creating better levels through architectural theory. View it here. Learn more and download the ebook by clicking here. Did you know? GameDev.net and CRC Press also recently teamed up to bring GDNet+ Members up to a 20% discount on all CRC Press books. Learn more about this and other benefits here.
  • entries
    383
  • comments
    1075
  • views
    352137

Sound wave generator - quick update

Sign in to follow this  
Followers 0
Trapper Zoid

911 views

I tried implementing the sound wave generation looping through hard-coded samples rather than algorithmically, but I have issues with the current implementation. The basic approach is straightforward but it took a couple of days to debug and the result still doesn't sound right. Apart from the output sounding lower quality, it is clearly out of tune. Not sure what is going on there - whether it's a discretisation thing, something with converting floats or merely another bug.

I decided to go with samples because it's very easy to add new wave forms. Create an array of floats for one wave period, plug it in, and you're done. AFAIK its the way sine waves were done in hardware due to how computationally expensive they are to calculate. Plus if I get around to adding normal non-looping sound files to this system it's done in the same way.

My gut feeling is that it is better to go back to implementing the core of this system as if it was on a hardware chip - using simple hard-coded algorithms, different for each tone, based on bit registers with different purpose per waveform - and then add a layer on top of that to convert instructions like "channel 1, triangle wave, 440Hz, half volume" into the right register values.

Eventually I want to play around with phase modulation, like what was used on the Yamaha chips used in Adlib sound cards or the Sega Genesis/Mega Drive, once I get my head around how the operators worked in hardware.

0
Sign in to follow this  
Followers 0


2 Comments


These days it might be better to just use the sin() function unless you are using huge amounts of wave generators. For a 44.1 kHz sampling rate, that means only 44100 sin() calls per second. This is a small fraction (much less than 1%) of what is possible in real time on current hardware. Unless you're developing for embedded or underpowered systems, I'd stick with generating the waves from scratch, rather than having to generate and then interpolate a wave table.
0

Share this comment


Link to comment
The OPL2 chip in Adlib cards used 18 oscillators, each representing a sine wave, and output at nearly 50kHz, so that's approaching a million trig calls a second.

I'm not sure what the speed is of the trig function calls on today's hardware; I'll make a note to check. I don't think it would be a bottleneck if I did use a million trig function calls on today's hardware, but I'd like to compare it with lookup tables regardless to test whether there is a noticeable difference to how it sounds.
0

Share this comment


Link to comment

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!


Register a new account

Sign in

Already have an account? Sign in here.


Sign In Now