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  1. 9 points
    If you think about it cost of games has gone down a lot. You can make Pack Man for the fraction of the cost when it was first released. A small home team could make a full GTA 1 clone for much less than it first cost to make. The problem is that the ambitions of developers and the expectation of players is always driving up cost. So I think making games will always be expensive. No matter how good we get at it.
  2. 7 points
    Generally speaking this is a bad idea. If you need to render each of these objects in a different way, there's not much point having them all in the same container, which in turn brings into question whether it's worthwhile having them derive from Renderable at all. (Deriving from a base class so that you can avoid typing out those 2 buffers for each derived class is not a good reason to do it.)
  3. 7 points
    Last January I was in the same situation as you, and since then I have spent a lot of time writing an abstraction layer on top of DX11, DX12 and Vulkan. Here are some tips, however, I am by no means an expert so take everything I say with a grain of salt. Just go for the pure virtual interface, if that is what you are comfortable with. As others have stated, the performance does not need to be a problem if you think about how often you call the backend through the API. Decide early if you want to support new, lower level, APIs such as DX12, Vulkan or Metal. And if you do, develop first and foremost for those. It is a lot easier to write a backend using DX11 or OpenGL for a low level API, than writing a DX12 or Vulkan backend for a high level API. Certain things, such as fences, can just be skipped when writing a DX11 backend. But good luck trying to write a backend for DX12 when the API has no concept of a fence. Even if you don't plan on supporting low level APIs right now, think about bringing some of their concepts into your API, such as PSOs and command buffers. At least I much prefer packaging state together into PSOs rather than setting state all over the codebase. They tend to make the app code cleaner, and might even help you do optimizations such as hashing state and avoiding doing unnecessary backend calls. If you plan to support Vulkan, make render passes a first-class citizen of the API. They are the only way to render in Vulkan, and they are easy to emulate in the other APIs. Make a unified shader system. When I create a PSO, I load a shader blob from disk and pass it to the renderer. The app programmer never needs to know which underlying shader language is used. The blob contains "language slots" for all supported backends. Eg. the blob might contain HLSL bytecode for DX11/12, SPIR-V for Vulkand and GLSL for OpenGL. The backend pulls the correct code out of the blob and the others are unused. The blob also contains uniform metadata, ie. which binding slot is used for the constant buffer with name "cbLighting" etc. Don't write shaders in multiple languages. Cross-compile HLSL into what you need. glslangvalidator supports HLSL out of the box. There are HLSL-to-GLSL cross compilers available etc. Eg. https://github.com/LukasBanana/XShaderCompiler seems promising. These are some things I have found helpful. Hope it helps!
  4. 6 points
    Hello! I would like to introduce Diligent Engine, a project that I've been recently working on. Diligent Engine is a light-weight cross-platform abstraction layer between the application and the platform-specific graphics API. Its main goal is to take advantages of the next-generation APIs such as Direct3D12 and Vulkan, but at the same time provide support for older platforms via Direct3D11, OpenGL and OpenGLES. Diligent Engine exposes common front-end for all supported platforms and provides interoperability with underlying native API. It also supports integration with Unity and is designed to be used as a graphics subsystem in a standalone game engine, Unity native plugin or any other 3D application. It is distributed under Apache 2.0 license and is free to use. Full source code is available for download on GitHub. The engine contains shader source code converter that allows shaders authored in HLSL to be translated to GLSL. The engine currently supports Direct3D11, Direct3D12, and OpenGL/GLES on Win32, Universal Windows and Android platforms. API Basics Initialization The engine can perform initialization of the API or attach to already existing D3D11/D3D12 device or OpenGL/GLES context. For instance, the following code shows how the engine can be initialized in D3D12 mode: #include "RenderDeviceFactoryD3D12.h" using namespace Diligent; // ... GetEngineFactoryD3D12Type GetEngineFactoryD3D12 = nullptr; // Load the dll and import GetEngineFactoryD3D12() function LoadGraphicsEngineD3D12(GetEngineFactoryD3D12); auto *pFactoryD3D11 = GetEngineFactoryD3D12(); EngineD3D12Attribs EngD3D12Attribs; EngD3D12Attribs.CPUDescriptorHeapAllocationSize[0] = 1024; EngD3D12Attribs.CPUDescriptorHeapAllocationSize[1] = 32; EngD3D12Attribs.CPUDescriptorHeapAllocationSize[2] = 16; EngD3D12Attribs.CPUDescriptorHeapAllocationSize[3] = 16; EngD3D12Attribs.NumCommandsToFlushCmdList = 64; RefCntAutoPtr<IRenderDevice> pRenderDevice; RefCntAutoPtr<IDeviceContext> pImmediateContext; SwapChainDesc SwapChainDesc; RefCntAutoPtr<ISwapChain> pSwapChain; pFactoryD3D11->CreateDeviceAndContextsD3D12( EngD3D12Attribs, &pRenderDevice, &pImmediateContext, 0 ); pFactoryD3D11->CreateSwapChainD3D12( pRenderDevice, pImmediateContext, SwapChainDesc, hWnd, &pSwapChain ); Creating Resources Device resources are created by the render device. The two main resource types are buffers, which represent linear memory, and textures, which use memory layouts optimized for fast filtering. To create a buffer, you need to populate BufferDesc structure and call IRenderDevice::CreateBuffer(). The following code creates a uniform (constant) buffer: BufferDesc BuffDesc; BufferDesc.Name = "Uniform buffer"; BuffDesc.BindFlags = BIND_UNIFORM_BUFFER; BuffDesc.Usage = USAGE_DYNAMIC; BuffDesc.uiSizeInBytes = sizeof(ShaderConstants); BuffDesc.CPUAccessFlags = CPU_ACCESS_WRITE; m_pDevice->CreateBuffer( BuffDesc, BufferData(), &m_pConstantBuffer ); Similar, to create a texture, populate TextureDesc structure and call IRenderDevice::CreateTexture() as in the following example: TextureDesc TexDesc; TexDesc.Name = "My texture 2D"; TexDesc.Type = TEXTURE_TYPE_2D; TexDesc.Width = 1024; TexDesc.Height = 1024; TexDesc.Format = TEX_FORMAT_RGBA8_UNORM; TexDesc.Usage = USAGE_DEFAULT; TexDesc.BindFlags = BIND_SHADER_RESOURCE | BIND_RENDER_TARGET | BIND_UNORDERED_ACCESS; TexDesc.Name = "Sample 2D Texture"; m_pRenderDevice->CreateTexture( TexDesc, TextureData(), &m_pTestTex ); Initializing Pipeline State Diligent Engine follows Direct3D12 style to configure the graphics/compute pipeline. One big Pipelines State Object (PSO) encompasses all required states (all shader stages, input layout description, depth stencil, rasterizer and blend state descriptions etc.) Creating Shaders To create a shader, populate ShaderCreationAttribs structure. An important member is ShaderCreationAttribs::SourceLanguage. The following are valid values for this member: SHADER_SOURCE_LANGUAGE_DEFAULT - The shader source format matches the underlying graphics API: HLSL for D3D11 or D3D12 mode, and GLSL for OpenGL and OpenGLES modes. SHADER_SOURCE_LANGUAGE_HLSL - The shader source is in HLSL. For OpenGL and OpenGLES modes, the source code will be converted to GLSL. See shader converter for details. SHADER_SOURCE_LANGUAGE_GLSL - The shader source is in GLSL. There is currently no GLSL to HLSL converter. To allow grouping of resources based on the frequency of expected change, Diligent Engine introduces classification of shader variables: Static variables (SHADER_VARIABLE_TYPE_STATIC) are variables that are expected to be set only once. They may not be changed once a resource is bound to the variable. Such variables are intended to hold global constants such as camera attributes or global light attributes constant buffers. Mutable variables (SHADER_VARIABLE_TYPE_MUTABLE) define resources that are expected to change on a per-material frequency. Examples may include diffuse textures, normal maps etc. Dynamic variables (SHADER_VARIABLE_TYPE_DYNAMIC) are expected to change frequently and randomly. This post describes the resource binding model in Diligent Engine. The following is an example of shader initialization: ShaderCreationAttribs Attrs; Attrs.Desc.Name = "MyPixelShader"; Attrs.FilePath = "MyShaderFile.fx"; Attrs.SearchDirectories = "shaders;shaders\\inc;"; Attrs.EntryPoint = "MyPixelShader"; Attrs.Desc.ShaderType = SHADER_TYPE_PIXEL; Attrs.SourceLanguage = SHADER_SOURCE_LANGUAGE_HLSL; BasicShaderSourceStreamFactory BasicSSSFactory(Attrs.SearchDirectories); Attrs.pShaderSourceStreamFactory = &BasicSSSFactory; ShaderVariableDesc ShaderVars[] = { {"g_StaticTexture", SHADER_VARIABLE_TYPE_STATIC}, {"g_MutableTexture", SHADER_VARIABLE_TYPE_MUTABLE}, {"g_DynamicTexture", SHADER_VARIABLE_TYPE_DYNAMIC} }; Attrs.Desc.VariableDesc = ShaderVars; Attrs.Desc.NumVariables = _countof(ShaderVars); Attrs.Desc.DefaultVariableType = SHADER_VARIABLE_TYPE_STATIC; StaticSamplerDesc StaticSampler; StaticSampler.Desc.MinFilter = FILTER_TYPE_LINEAR; StaticSampler.Desc.MagFilter = FILTER_TYPE_LINEAR; StaticSampler.Desc.MipFilter = FILTER_TYPE_LINEAR; StaticSampler.TextureName = "g_MutableTexture"; Attrs.Desc.NumStaticSamplers = 1; Attrs.Desc.StaticSamplers = &StaticSampler; ShaderMacroHelper Macros; Macros.AddShaderMacro("USE_SHADOWS", 1); Macros.AddShaderMacro("NUM_SHADOW_SAMPLES", 4); Macros.Finalize(); Attrs.Macros = Macros; RefCntAutoPtr<IShader> pShader; m_pDevice->CreateShader( Attrs, &pShader ); Creating the Pipeline State Object To create a pipeline state object, define instance of PipelineStateDesc structure. The structure defines the pipeline specifics such as if the pipeline is a compute pipeline, number and format of render targets as well as depth-stencil format: // This is a graphics pipeline PSODesc.IsComputePipeline = false; PSODesc.GraphicsPipeline.NumRenderTargets = 1; PSODesc.GraphicsPipeline.RTVFormats[0] = TEX_FORMAT_RGBA8_UNORM_SRGB; PSODesc.GraphicsPipeline.DSVFormat = TEX_FORMAT_D32_FLOAT; The structure also defines depth-stencil, rasterizer, blend state, input layout and other parameters. For instance, rasterizer state can be defined as in the code snippet below: // Init rasterizer state RasterizerStateDesc &RasterizerDesc = PSODesc.GraphicsPipeline.RasterizerDesc; RasterizerDesc.FillMode = FILL_MODE_SOLID; RasterizerDesc.CullMode = CULL_MODE_NONE; RasterizerDesc.FrontCounterClockwise = True; RasterizerDesc.ScissorEnable = True; //RSDesc.MultisampleEnable = false; // do not allow msaa (fonts would be degraded) RasterizerDesc.AntialiasedLineEnable = False; When all fields are populated, call IRenderDevice::CreatePipelineState() to create the PSO: m_pDev->CreatePipelineState(PSODesc, &m_pPSO); Binding Shader Resources Shader resource binding in Diligent Engine is based on grouping variables in 3 different groups (static, mutable and dynamic). Static variables are variables that are expected to be set only once. They may not be changed once a resource is bound to the variable. Such variables are intended to hold global constants such as camera attributes or global light attributes constant buffers. They are bound directly to the shader object: PixelShader->GetShaderVariable( "g_tex2DShadowMap" )->Set( pShadowMapSRV ); Mutable and dynamic variables are bound via a new object called Shader Resource Binding (SRB), which is created by the pipeline state: m_pPSO->CreateShaderResourceBinding(&m_pSRB); Dynamic and mutable resources are then bound through SRB object: m_pSRB->GetVariable(SHADER_TYPE_VERTEX, "tex2DDiffuse")->Set(pDiffuseTexSRV); m_pSRB->GetVariable(SHADER_TYPE_VERTEX, "cbRandomAttribs")->Set(pRandomAttrsCB); The difference between mutable and dynamic resources is that mutable ones can only be set once for every instance of a shader resource binding. Dynamic resources can be set multiple times. It is important to properly set the variable type as this may affect performance. Static variables are generally most efficient, followed by mutable. Dynamic variables are most expensive from performance point of view. This post explains shader resource binding in more details. Setting the Pipeline State and Invoking Draw Command Before any draw command can be invoked, all required vertex and index buffers as well as the pipeline state should be bound to the device context: // Clear render target const float zero[4] = {0, 0, 0, 0}; m_pContext->ClearRenderTarget(nullptr, zero); // Set vertex and index buffers IBuffer *buffer[] = {m_pVertexBuffer}; Uint32 offsets[] = {0}; Uint32 strides[] = {sizeof(MyVertex)}; m_pContext->SetVertexBuffers(0, 1, buffer, strides, offsets, SET_VERTEX_BUFFERS_FLAG_RESET); m_pContext->SetIndexBuffer(m_pIndexBuffer, 0); m_pContext->SetPipelineState(m_pPSO); Also, all shader resources must be committed to the device context: m_pContext->CommitShaderResources(m_pSRB, COMMIT_SHADER_RESOURCES_FLAG_TRANSITION_RESOURCES); When all required states and resources are bound, IDeviceContext::Draw() can be used to execute draw command or IDeviceContext::DispatchCompute() can be used to execute compute command. Note that for a draw command, graphics pipeline must be bound, and for dispatch command, compute pipeline must be bound. Draw() takes DrawAttribs structure as an argument. The structure members define all attributes required to perform the command (primitive topology, number of vertices or indices, if draw call is indexed or not, if draw call is instanced or not, if draw call is indirect or not, etc.). For example: DrawAttribs attrs; attrs.IsIndexed = true; attrs.IndexType = VT_UINT16; attrs.NumIndices = 36; attrs.Topology = PRIMITIVE_TOPOLOGY_TRIANGLE_LIST; pContext->Draw(attrs); Build Instructions Please visit this page for detailed build instructions. Samples The engine contains two graphics samples that demonstrate how the API can be used. AntTweakBar sample demonstrates how to use AntTweakBar library to create simple user interface. It can also be thought of as Diligent Engine’s “Hello World” example. Atmospheric scattering sample is a more advanced one. It demonstrates how Diligent Engine can be used to implement various rendering tasks: loading textures from files, using complex shaders, rendering to textures, using compute shaders and unordered access views, etc. The engine also includes Asteroids performance benchmark based on this demo developed by Intel. It renders 50,000 unique textured asteroids and lets compare performance of D3D11 and D3D12 implementations. Every asteroid is a combination of one of 1000 unique meshes and one of 10 unique textures. Integration with Unity Diligent Engine supports integration with Unity through Unity low-level native plugin interface. The engine relies on Native API Interoperability to attach to the graphics API initialized by Unity. After Diligent Engine device and context are created, they can be used us usual to create resources and issue rendering commands. GhostCubePlugin shows an example how Diligent Engine can be used to render a ghost cube only visible as a reflection in a mirror.
  5. 6 points
    Absolutely not a jerk. At least, not a jerk for saying "I am done, I am not finishing this, leave me alone forever." It is not a matter of saying "suck it up" or "handle trolls better" or "get a thicker skin". Many successful game developers become targets. Those aren't just minor issues, they are repeated targets of major felony crimes, including death threats against themselves and their families, sometimes with their names, addresses, photos, and the schools they attend. People on my team have received death threats, including death threats accompanied by doxxing attacks. It is stressful to everyone involved, including the police and FBI agents who were all brought in to investigate. It changes the workplace environment to know that your designer's kids have death threats with their pictures and school associated with them. You know the designer won't be able to focus on making the best game, no matter how much they're working they will always have in their mind the thought of their child with a target on them. The toxic cultures that some sub-groups encourage are a horrible thing. It is something the industry does very little to correct. Much of the casual slang used by some immature gamers, comments like "go kill yourself" for petty annoyances, are completely unacceptable in any other social context. In many contexts it would be enough to get a person fired, arrested, or face civil penalties. Many sub-groups are extremely aggressive digitally. Then there are people who engage in swatting where people have been shot, and then think it is a joke for Internet gold. But the highly toxic gaming culture not only accepts vitriol as normal, many sub-cultures of fans praise and promote the hatred, the attacks, the insults. In some sub-cultures these are not seen as the actual crimes of blackmail or stalking or harassment or criminal threats, but instead seen as a victory for their group in inducing change. Imagine if your role was reversed. You're putting out a project, a work of passion where you invest all you have to create something amazing. And your results are hugely popular. But it is popular not among adoring fans, but fans who are quite literally threatening to kill you over your work. Fans who write the most horrible hate messages because you haven't done whatever it is that your fan imagined you would do. At the time I hoped his leaving would make a dent in the culture, but I think it has only gotten worse. When you fear for your life because of multiple death threats, and when the government tells you that they are actual credible threats against your life and you need to take precautions, that changes things. When that happens, I agree that it is not only a good thing to step away, but to make a big deal about the crimes as well. He risked (and received) even more threats due to his visible decision to say the behavior is unacceptable. In that regard he has my complete respect and appreciation.
  6. 6 points
    No, you don't. And that is how you solve the problem. Don't try to look for one magical pattern or process to solve this issue. What you need to do is look at each of these things, and find ways to refactor to the code so that you don't need to pass them. Keep doing that until you're happy with the state of the code. An example to get you started: an Enemy class may need to be able to know where the nearest Player is, to attack it. And it might need to know about all other world objects, so it can walk around them. Instead of passing in "list of all world objects" and "list of all players", pass in a GameWorld object, and ensure that GameWorld has functions like "FindNearestPlayer" or "FindNearbyWorldObjects" so the Enemy can query for what it needs from one single object that represents the environment.
  7. 6 points
    I wouldn't worry too much about the use of runtime polymorphism. It's way down on the list of interesting or useful problems. The key point you need to think about is, what level will the abstraction exist on? There are two equally valid ways to do this. You can create "API-level" abstractions for buffers, textures, shaders, etc and implement common interfaces for the different APIs. Or you can define high level concepts - mesh objects, materials, scene layouts, properties - and let each API implementation make its own decisions about how to translate those things into actual GPU primitives and how to render them. There are a lot of trade-offs inherent in both approaches.
  8. 6 points
    His point was that it does -- when you install the platform SDK you get d3d11.h and you get gl.h (or more importantly Wingdi.h and Opengl32.lib) -- you can't install the Windows "D3D SDK" without also getting the Windows "GL SDK" Look at the source of GLUT/etc... GLUT is in no way essential to GL, it's an application framework for people who don't want to write their main loop. It automates more Win32 programming than it does GL programming It will be more interesting to look at the source for something like GLEW. Khronos writes the API specifications, from the API specification you can automatically generate the full list of enums, structures and function signatures yourself -- many projects do exactly that. e.g. see https://raw.githubusercontent.com/KhronosGroup/OpenGL-Registry/master/xml/gl.xml which could be used to generate your own gl.h file. On Windows, you don't talk to your GL driver directly, because it could come from NVidia/AMD/etc... so you need a middle-man to load the GL implementation for you and allow you to connect to it. Every OS/platform has their own separate API for doing this step. On windows, it's wgl, and the most important part is wglGetProcAddress. You pass it the name of a GL function, and it returns you a function-pointer to that function in the implementation (NVidia's/AMD's GL driver). You then cast this function pointer to the correct type (using a typedef that you automatically generated from Khronos' specs) and now you're able to call this GL function. Other platforms are similar, except with their own API's for looking up GL functions, such as glXGetProcAddress, eglGetProcAddress, etc... See also:
  9. 5 points
    Little over a month ago, some guy noticed me by my nickname on another website (I use Embassy of Time several places), and asked if I was the one who also posted on GameDev. I said yes. Apparently, he was amongst those reading my scientific ramblings (like this or this) on the site. And he also happened to be a small-time member of a network of personal investors, so-called "business angels". Now, I've run a company before (web TV and 3D animation, not game development), so I know that a lot of people make big claims, and even if those claims are true, you don't win the lottery from just being noticed. But it was an interesting talk. Then, about a week ago, he contacted me again. A couple of his colleagues (I have no idea what investors call each other) wanted to see a project suggestion on some of the things we talked about. Part of why they wanted to see this was that they had a look at my blog in here and wanted to know more. So now, I am working on a presentation of some of the things I have worked with on a serious science-based game. I am pretty nervous, and very open to ideas from people in here on how to dazzle these folks! It's not a big blog entry this time, I know, but I felt like letting people here know, and giving a big thanks to GameDev.net for being a community where some lunatic with a science fetish (me) has a chance to get noticed! If this works out well, I definitely won't forget you
  10. 5 points
    Particles might number in the millions, but we don't try to send them across the network. The amount of objects you can send is proportional to the amount of data each one needs. Sorry for such a flippant answer but there's no trick or magic here. You can send as much data as your network bandwidth allows (nothing much to do with packet size, incidentally) and the less data you need per entity, and the less frequently you want to update them, the more entities you can update. To get transmission sizes down, you need to think in terms of information, not in terms of data. You're not trying to copy memory locations across the wire, you're trying to send whatever information is necessary so that the recipient can reconstruct the information you have locally. e.g. If I want to send the Bible or the Koran to another computer, that's hundreds of thousands of letters I need to transmit. But if that computer knows in advance that I will be sending either the Bible or the Koran, it can pre-store copies of those locally and I only have to transmit a single bit to tell it which one to use, as there are only 2 possible values of interest here. Similarly, if I want to send a value that has 8 possible values - i.e. the directions we talked about - that's just 3 bits. I could pack 2 such directions into a single byte, and leave 2 bits spare. Or I could send 8 directions and pack them into 3 bytes (3 bytes at 8 bits per byte is 24 bits to play with). If you're not comfortable with bitpacking, maybe read this: https://gafferongames.com/post/reading_and_writing_packets/
  11. 5 points
    Yes, read IEEE 754 for more detail. The range of integers that can be exactly represented by a single precision float is from -0x01000000 to 0x01000000.
  12. 5 points
    My personal preference is to forward declare only what I need to use, and then promote to a full dependency as infrequently as possible. So if you need to use another type, forward declare when you can, but don't just throw around declarations for the fun of it.
  13. 5 points
    I'ma just leave this here: https://godbolt.org Also, your code has a lot of improvement to be made. Your API for GetProcessorName() is bad. Please don't ever write a function like that. You should either return a string object or fill a string buffer, but not both in one function. As you are discovering this is a recipe for confusion and unhappiness. Please don't use C-strings. You have a number of issues in this code that indicate (1) you are not familiar with how C-strings work, (2) you aren't thinking carefully enough about how you manipulate C-strings, or (3) both. For example, you confuse allocation size with string length in a couple places, and your attempts to account for NULL terminators look wrong to me. The loop style invocation of __cpuid is overly complex and needlessly busy if the CPU returns a huge number of capabilities/extended IDs. You can write this simply as a single if check and 3 successive __cpuid calls with no loop.
  14. 5 points
    From watching those films, I could see him as a dick but also really empathise with him and see him as someone who's under too much stress and not aware of how other people are going to interpret and twist what they say. I think he's the perfect example of consumers enjoying hating a creator, which is terrible phenomenon. I don't know him personally so I can't judge
  15. 5 points
    Off the top of my head (untested): std::tuple<TypedMap<Ts>...> Storage;
  16. 5 points
    ^That^ Also as a tip for the 'watch' debugging window - say you've got something like: struct MyVec { int* begin; int* end; } MyVec v = ...; In the watch window you can type "v.begin" but it will only show the first element... So, instead you can type "v.end-v.begin" to see the size -- and let's say it's 42 -- then you can type "v.begin,42" and Visual Studio will display the entire array in the watch window.
  17. 5 points
    Yes, you can use the 'Natvis' system to customise how any type is displayed in the Visual Studio debugger. https://docs.microsoft.com/en-gb/visualstudio/debugger/create-custom-views-of-native-objects
  18. 5 points
    Obviously it is viable - if it possible to write an engine, and it is possible to write a game using an engine, it is possible to do both. Whatever the engine-makers deemed important to create, you can create yourself. Libraries help, because they are basically pre-packaged bits of code that other people wrote, which you can use. For example, you might use a library to load 3D model formats, or to play back audio. There are many of these, and most are available for the popular programming languages like C++, C#, Java, and Python. Another word you might hear is a 'framework' - this is usually a big library, or a collection of libraries, that does lots of different things, but which works well as a whole. SDL and SFML are frameworks for C++ which give you a lot of game-making functionality for free. An engine is basically just the logical extension of this idea - it's typically a framework that is very fully-featured and which comes with its own editor which lets you create and test levels. Unity is an example of an engine that uses C# for its code, and Unreal is an engine that uses C++. If your main aim is to be productive at making games in the short to medium term, then starting with an engine is probably a good idea. Some people prefer to learn the fundamentals and like starting with a more primitive programming environment and a simpler framework - Python and Pygame is a popular pairing, for example. Each route has pros and cons. It would be a very tough job to make a game in a 24 hour jam without using at least one game framework or a bunch of good libraries, but that's not to say it isn't possible for the right person.
  19. 5 points
    The cost of virtual functions are usually greatly exaggerated in many posts on the subject. That is not to say they are free but assuming they are evil is simply short sighted. Basically you should only concern yourself with the overhead if you think the function in question is going to be called >10000 times a frame for instance. An example, say I have the two API calls: "virtual void AddVertex(Vector3& v);" & "virtual void AddVertices(Vector<Vector3>& vs);" If you add 100000 vertices with the first call the overhead of the indirection and lack of inlining is going to kill your performance. On the other hand, if you fill the vector with the vertices (where the addition is able to be inlined and optimized by the compiler) and then use the second call, there is very little overhead to be concerned with. So, given that the 3D API's do not supply individual vertex get/set functions anymore and everything is in bulk containers such as vertex buffers and index buffers, there is almost nothing to be worried about regarding usage of virtual functions. My API wrapper around DX12, Vulkan & Metal is behind a bunch of pure virtual interfaces and performance does not change when I compile the DX12 lib statically and remove the interface layer. As such, I'm fairly confident that you should have no problems unless you do something silly like the above example. Just keep in mind there are many caveats involved in this due to CPU variations, memory speed, cache hit/miss based on usage patterns etc and the only true way to get numbers is to profile something working. I would consider my comments as rule of thumb safety in most cases though.
  20. 5 points
    I've been working on the node graph editor for noise functions in the context of the Urho3D-based Terrain Editor I have been working on. It's a thing that I work on every so often, when I'm not working on Goblinson Crusoe or when I don't have a whole lot of other things going on. Lately, it's been mostly UI stuff plus the node graph stuff. The thing is getting pretty useful, although it is still FAR from polished, and a lot of stuff is still just broken. Today, I worked on code to allow me to build and maintain a node graph library. The editor has a tool, as mentioned in the previous entry, to allow me to use a visual node graph system to edit and construct chains/trees/graphs of noise functions. These functions can be pretty complex: I'm working on code to allow me to save these graphs as they are, and also to save them as Library Nodes. Saving a graph as a Library Node works slightly differently than just saving the node chain. Saving it as a Library Node allows you to import the entire thing as a single 'black box' node. In the above graph, I have a fairly complex setup with a cellular function distorted by a couple of billow fractals. In the upper left corner are some constant and seed nodes, explicitly declared. Each node has a number of inputs that can receive a connection. If there is no connection, when the graph is traversed to build the function, those inputs are 'hardwired' to the constant value they are set to. But if you wire up an explicit seed or constant node to an input, then when the graph is saved as a Library Node, those explicit constants/seeds will be converted to the input parameters for a custom node representing the function. For example, the custom node for the above graph looks like this: Any parameter to which a constant node was attached is now tweakable, while the rest of the graph node is an internal structure that the user can not edit. By linking the desired inputs with a constant or seed node, they become the customizable inputs of a new node type. (A note on the difference between Constant and Seed. They are basically the same thing: a number. Any input can receive either a constant or a seed or any chain of constants, seeds, and functions. However, there are special function types such as Seeder and Fractal which can iterate a function graph and modify the value of any seed functions. This is used, for example, to re-seed the various octaves of a fractal with different seeds to use different noise patterns. Seeder lets you re-use a node or node chain with different seeds for each use. Only nodes that are marked as Seed will be altered.) With the node graph library functionality, it will be possible to construct a node graph and save it for later, useful for certain commonly-used patterns that are time-consuming to set up, which pretty much describes any node graph using domain turbulence. With that node chain in hand, it is easy enough to output the function to the heightmap: Then you can quickly apply the erosion filter to it: Follow that up with a quick Cliffify filter to set cliffs: And finish it off with a cavity map filter to place sediment in the cavities: The editor now lets you zoom the camera all the way in with the scroll wheel, then when on the ground you can use WASD to rove around the map seeing what it looks like from the ground. Still lots to do on this, such as, you know, actually saving the node graph to file. but already it's pretty fun to play with.
  21. 4 points
    I have had difficulties recently with the Marching Cubes algorithm, mainly because the principal source of information on the subject was kinda vague and incomplete to me. I need a lot of precision to understand something complicated Anyhow, after a lot of struggles, I have been able to code in Java a less hardcoded program than the given source because who doesn't like the cuteness of Java compared to the mean looking C++? Oh and by hardcoding, I mean something like this : cubeindex = 0; if (grid.val[0] < isolevel) cubeindex |= 1; if (grid.val[1] < isolevel) cubeindex |= 2; if (grid.val[2] < isolevel) cubeindex |= 4; if (grid.val[3] < isolevel) cubeindex |= 8; if (grid.val[4] < isolevel) cubeindex |= 16; if (grid.val[5] < isolevel) cubeindex |= 32; if (grid.val[6] < isolevel) cubeindex |= 64; if (grid.val[7] < isolevel) cubeindex |= 128; By no mean I am saying that my code is better or more performant. It's actually ugly. However, I absolutely loathe hardcoding. Here's the result with a scalar field generated using the coherent noise library joise :
  22. 4 points
    Pong Challenge! Make a single player Pong, with a twist. Game Requirements The game must have: Start screen Key to return to the start screen Score system AI Player Graphics at least for the UI and players Sound effects for ball and paddle and when a player scores A unique gameplay element that makes your Pong game stand out from others The actual gameplay must happen on a single screen (no camera translation) Art Requirements The game must be 2D The art must be your own Duration 4 weeks - November 1, 2017 to November 30, 2017 Submission Post on this thread your entries: Link to the executable (specifying the platform) Screenshots: if the screenshots are too big, post just a few, if they are small, you can post more, just don't take the entire space A small post-mortem in a GameDev.net Blog, with a link posted in this thread, is encouraged, where you can share what went right, what went wrong, or just share a nifty trick Source-code link is encouraged
  23. 4 points
    Are you sure this matches in your code? You need to store pointers to the objects rather than the base objects themselves. The way the language usually enforces this is for your code make the base class abstract so it cannot be instantiated. They are commonly called an ABC, or Abstract Base Class, because of this. Except in rare cases, only the endmost leaf classes should be concrete, everything below it in the hierarchy should be abstract. In that case, are you certain you are following LSP? Are the sub-objects TRULY able to be substituted for each other? Code should be able to move back up the hierarchy to base class pointers, but should never need to move back out the hierarchy, instead using functions in the interface to do whatever work needs to be done. As a code example: for( BaseThing* theThing : AllTheThings ) { theThing->DoStuff(); } versus: for( BaseThing* theThing : AllTheThings ) { // Might also be a dynamic cast, or RTTI ID, or similar auto thingType = theThing->GetType(); if( thingType == ThingType.Wizard ) { theThing->DoWizardStuff(); } else if( thingType == ThingType.Warrior ) { theThing->DoWarriorStuff(); } else ... ... // Variations for each type of thing } Also, in general it is a bad idea to have public virtual function. Here is some reading on that by one of the most expert among C++ experts. This is different from languages like Java where interface types are created through a virtual public interface. Some people who jump between languages forget this important detail. As the code grows those public virtual functions end up causing breakages as people implement non-substitutable code in leaf classes, as it appears you have done here.
  24. 4 points
    This sounds really bad. GPUs have been moving away from specialized hardware and towards general purpose hardware forever. You'd be better off running whatever this algorithm is on the GPU than on another chip... And if your GPU is too weak, put that extra $140 into getting a better one than a fancy chip. The only valid use case seems to be optionally adding extra image processing to old fixed hardware (consoles). If you're talking about building the hardware into a GPU, then again you're probably better off dedicating that space to more compute cores, and adding any extra fixed-function behavior that it requires into the existing fixed-function texture sampling/filtering hardware. That way games can decide to use a different AA method and not have some fixed-function AA chip sitting idle -- the extra compute cores are running the game's own AA solution. Or if it does have some fancy fixed function filtering, then by integrating this into the existing texture filters, then you allow developers to use that hardware on other algorithms too (not just post processing). As for upscaling though, yeah GPUs sometimes to have a hardware upscaler built into the video output hardware. Microsoft is a fan of making sure the hardware upscaler is as good as possible... so there may be some room to add some smarts into that... but on PC, it's not common to render at 480p any more and have the GPU upscale to 1080p output... Secondly, there's two kinds of anti-aliasing techniques - ones that avoid aliasing in the first place (toksvig, increased sampling + filters) and ones that try to hide aliasing after it's occurred (FXAA, etc). The latter aren't a solution, they're a kludge, and they're not the future. The biggest problem with filters like FXAA is that they're not temporally stable. Jaggies get smoothed out, but "smooth jaggies" still crawl along edges. The current state of the art in geometric AA involves extra samples (MSAA + temporal) and smart filters. This kind of of external add on can never have access to that extra information, so is doomed to FXAA style kludge filtering. The current state of the art in specular aliasing attacks the problem at the complete other end of the pipeline - filtering before lighting calculations. An add on can never do that. [edit] Watched the video, and yeah, it's smoothing jaggies but in no way solving aliasing. This kind of flickering is everywhere:
  25. 4 points
    Hi everybody! I decided to use this challenge as an excuse for learning to use Game Maker (or I wanted to learn Game Maker and decided to do it while participating in this challenge; pick one :P). My project is called "Power Word: Pong". It's available for Windows here: https://racso.itch.io/power-word-pong I still want to improve the AI, as it's still quite dumb, and I want to give some variety to the ball (angle and speed changes), but I'm almost done with the game. Still, as always, feedback is appreciated! I hope you like the twist of the game. You may find the game source in this repository. I'll create a post-mortem after I finish working in the project. Regards! O.
  26. 4 points
    I'm going to try and limit the snark a bit here, but believe me, it's hard. Matthias, what you're doing is basically reading us one page at a time of a mystery novel, and then asking us who the killer is. Except it isn't even consecutive pages, or even chronological pages. Just rip a sheet of paper out of the book at total random, read it aloud, and then see who gets the correct killer. And you've read us only two pages so far. We don't even know the title of the book or who the characters are. We can't help you find the killer.
  27. 4 points
    If you want a billion zombies, then synchronising them over a network would be impractical... But you don't have to. You can synchronise their initial conditions and any player interactions, and then run identical updates on each client. https://www.gamasutra.com/view/feature/131503/1500_archers_on_a_288_network_.php
  28. 4 points
    IIRC quake 3 did the store as JPEG, transcode to DXT thing. If your DXT encoder is fast, then the quality is almost certainly terrible. They might look OK on casual inspection, but your game artists will eventually run into horrible 4x4 block artefacts that look like minecraft and horrible green/purple hue shifts (especially in areas that should be grey) and they'll start compensating by increasing their texture resolution, disabling compression, or just nagging you to fix the engine Look up crunch and binomial. Instead of naively using JPEG, they invent new on-disk formats that are designed to be small but also transcode directly to DXT with minimal runtime cost and quality loss. Another avenue is, when creating your DXT/DDS files, you add another constraint to your encoder - - as well as looking for block encodings that produce the best quality, you also search for ones that will produce lower entropy / will ZIP(etc) better. You then sacrifice a little quality by choosing sub-optimal block encodings, but end up with much smaller files over the wire.
  29. 4 points
    Change the DXGI_FORMATs of the resources/SRVs/DSVs of your depth buffer, shadow maps, etc. optional Swap the near and far plane while constructing the view-to-projection and projection-to-view transformation matrices of your camera, lights, etc. Change the D3D11_COMPARISON_LESS_EQUAL (D3D11_COMPARISON_LESS) to D3D11_COMPARISON_GREATER_EQUAL (D3D11_COMPARISON_GREATER) of your depth-stencil and PCF sampling states. Clear the depths of the DSVs of your depth buffer, shadow maps, etc. to 0.0f instead of 1.0f. Negate DepthBias, SlopeScaledDepthBias and DepthBiasClamp in the rasterizer states for your shadow maps. Set all far plane primitives to the near plane and vice versa. (Ideally using a macro for Z_FAR and Z_NEAR in your shaders.) For more info:
  30. 4 points
    1. This thread was ill advised from the beginning. Even the title is clearly biased and unobjective. It verges on a personal attack which is never acceptable. 2. Labelling people as "trolls" because they do not expressly agree with you is basically just as bad as offense #1. 3. Basing your opinion of someone on an edited, selective, dramatized, and utterly incomplete third party account of their words is worse than #1 and #2 put together. A number of you need to go sit quietly and think very hard about how you relate to your fellow human beings. To facilitate this: thread locked.
  31. 4 points
    Maybe I missed something, but I just remember him saying that Japanese games suck. How is that appalling? I mean, it's just the guy's opinion. People need to really stop getting their panties in a bunch every time someone expresses an opinion.
  32. 4 points
    But is also not too bad for just 10 points and a densely packed array of distances (i.e. cache friendly accesses). There may be some improvements If the path consists of notably more points: a) You may store not the distance from one point to the next but from the very beginning to the particular point, i.e. an array of ever increasing distance values. This would simply allow for binary search. b) If the point of interest does not wildly jump back and forth on the path but "wanders" in some orderly manner (and "moving an entity along" seems me to be such a thing), then the previously found position (i.e. its index) can be stored and be used as the starting point of a linear search in the next iteration. Usually only one or just a few search steps will be necessary. You may further know the direction of search (up or down the path) in front of the search.
  33. 4 points
    An enum can be assigned a value. result = true sets the value to 1, result = false sets the value to zero. They use an enum because the rules allow using the value directly rather than placing them in a variable or anywhere in memory. And they use the typedef so you don't need to actually run the code, you can look up the value as a constant expression. The end result is that the template code optimizes away at compile time to the integer constant 1 or 0. This can be applied to other optimizations, such this type of things is usually in an if() statement. The compiler can use the constant expression to potentially eliminate even more code at compile time.
  34. 4 points
    shared_ptr alone is not a silver bullet. There are a few ways that using it can go wrong and lead to leaks and performance issues. Circular references (where you have two objects that refer to each other with a shared_ptr) are an example of that. Mitigating cases like that constitutes "memory management" to some degree. If you're working in C++ you are going to have to deal with memory management even if you're using smart pointers, mainly in the form of ownership semantics. Now, shared_ptr is intended to be used in cases where ownership is shared, hence the name. Is shared ownership really what you want here? If only one object (the scene list) will ever have ownership of the scenes, then you can represent that in code using a unique_ptr, is a smart pointer template that enforces the idea that only one object at a time can own the memory that it points to. You can use references or raw pointers if you need objects to refer to memory they don't own and unique_ptrs to refer to the memory if the objects do own.
  35. 4 points
    Like Jbadams said. It took me years to talk GD.Net into doing this, but if you plan on hosting content, you'll need to register a "copyright agent" with the Copyright office (copyright.gov), and include a DMCA takedown procedure and Counter Notification procedure in the Terms of Service for your game/server. It's a pretty straightforward process, but it's always best to consult an attorney (obviously doesn't have to be me, whoever you're comfortable with) when you're revising ToS or other legal documentation.
  36. 4 points
    XMVectorSelect is what you're looking for. It takes the masks output by functions such as LessOrEqual and each bit in the mask is used to select between A or B.
  37. 4 points
    Don't remove things from the list. Throw the whole thing away after you've rendered it and build a new list from scratch next frame.
  38. 4 points
    Well... Photometry is about what humans can see. Radiometry is about all rays, whether they are visible or not. So photometry is a subset of radiometry. Commonly, computer graphics is about what we can see, so photometry looks better. However, when moving threw mediums, rays can evolve (they can loose energy for example, but not only...), so a ray that was first not in the visible range can become visible when moving threw mediums. The same kind of logic can be applied to matter that receive energy from various sources, even if all the sources have wavelengths out from the visible range. Nevertheless, real-time CG does not generally care about this: diffraction for example will change the ray direction, polarization will tend to accept or refuse ray from some wavelengths. So this can become very complex. Also, in radiometry you express the flux in watt whereas in photometry you'll express this flux in lumen. But both deal with the same quantities. One is just focusing on human vision whereas the second one cares about everything.
  39. 4 points
    It’s very common to hear engineers talking about "code reuse" - particularly in a positive light. We love to say that we’ll make our designs "reusable". Most of the time the meaning of this is pretty well understood; someday, we want our code to be able to be applied to some different use case and still work without extensive changes. But in practice, code reuse tends to fall flat. A common bit of wisdom is that you shouldn’t even try to make code reusable until you have three different use cases that would benefit from it. This is actually very good advice, and I’ve found it helps a lot to step back from the obsession with reusability for a moment and just let oneself write some "one-off" code that actually works. This hints at the possibility of a few flaws in the engineering mindset that reuse is a noble goal. Why Not Reuse? Arguing for reuse is easy: if you only have to write and debug the code once, but can benefit from it multiple times, it’s clearly better than writing very similar code five or six times…​ right? Yes and no. Premature generalization is a very real thing. Sometimes we can’t even see reuse potential until we’ve written similar systems repeatedly, and then it becomes clear that they could be unified. On the flip side, sometimes we design reusable components that are so generic they don’t actually do what we needed them to do in the first place. This is a central theme of the story of Design Patterns as a cultural phenomenon. Patterns were originally a descriptive thing. You find a common thread in five or six different systems, and you give it a name. Accumulate enough named things, though, and people start wanting to put the cart before the horse. Patterns became prescriptive - if you want to build a Foo, you use the Bar pattern, duh! So clearly there is a balancing act here. Something is wrong with the idea that all code should be reusable, but something is equally wrong with copy/pasting functions and never unifying them. But another, more insidious factor is at play here. Most of the time we don’t actually reuse code, even if it was designed to be reusable. And identifying reasons for this lapse is going to be central to making software development scalable into the future. If we keep rewriting the same few thousand systems we’re never going to do anything fun. Identifying Why We Don’t Reuse Here’s a real world use case. I want to design a system for handling callbacks in a video game engine. But I’ve already got several such systems, built for me by previous development efforts in the company. Most of them are basically the exact same thing with minor tweaks: Define an "event source" Define some mechanism by which objects can tell the event source that they are "interested" in some particular events When the event source says so, go through the container of listeners and give them a callback to tell them that an event happened Easy. Except Guild Wars 2 alone has around half a dozen different mechanisms for accomplishing this basic arrangement. Some are client-side, some are server-side, some relay messages between client and server, but ultimately they all do the exact same job. This is a classic example of looking at existing code and deciding it might be good to refactor it into a simpler form. Except GW2 is a multi-million line-of-code behemoth, and I sure as hell don’t want to wade through that much code to replace a fundamental mechanism. So the question becomes, if we’re going to make a better version, who’s gonna use it? For now the question is academic, but it’s worth thinking about. We’re certainly not going to stop making games any time soon, so eventually we should have a standardized callback library that everyone agrees on. So far so good. But what if I want to open-source the callback system, and let other people use it? If it’s good enough to serve all of ArenaNet’s myriad uses, surely it’d be handy elsewhere! Of course, nobody wants a callback system that’s tied to implementation details of Guild Wars 2, so we need to make the code genuinely reusable. There are plenty of reasons not to use an open-source callback library, especially if you have particular needs that aren’t represented by the library’s design. But the single biggest killer of code reuse is dependencies. Some dependencies are obvious. Foo derives from base class Bar, therefore there is a dependency between Foo and Bar, for just one example. But others are more devilish. Say I published my callback library. Somewhere in there, the library has to maintain a container of "things that care about Event X." How do we implement the container? Code reuse is the name of the game here. The obvious answer (outside of game dev) is to use the C++ Standard Library, such as a std::vector or std::map (or both). In games, though, the standard library is often forbidden. I won’t get into the argument here, but let’s just say that sometimes you don’t get to choose what libraries you rely on. So I have a couple of options. I can release my library with std dependencies, which immediately means it’s useless to half my audience. They have to rewrite a bunch of junk to make my code interoperate with their code and suddenly we’re not reusing anything anymore. The other option is to roll my own container, such as a trivial linked list. But that’s even worse, because everyone has a container library, and adding yet another lousy linked list implementation to the world isn’t reuse either. Policy-Based Programming to the Rescue The notion of policy-based architecture is hardly new, but it is sadly underused in most practical applications. I won’t get into the whole exploration of the idea here, since that’d take a lot of space, and I mostly just want to give readers a taste of what it can do. Here’s the basic idea. Let’s start with a simple container dependency. class ThingWhatDoesCoolStuff { std::vector<int> Stuff; }; This clearly makes our nifty class dependent on std::vector, which is not great for people who don’t have std::vector in their acceptable tools list. Let’s make this a bit better, shall we? template <typename ContainerType> class ThingWhatDoesCoolStuff { ContainerType Stuff; }; // Clients do this ThingWhatDoesCoolStuff<std::vector<int>> Thing; Slightly better, but now clients have to spell a really weird name all the time (which admittedly can be solved to great extent with a typedef and C++11 using declarations). This also breaks when we actually write code: template <typename ContainerType> class ThingWhatDoesCoolStuff { public: void AddStuff (int stuff) { Stuff.push_back(stuff); } private: ContainerType Stuff; }; This works provided that the container we give it has a method called push_back. What if the method in my library is called Add instead? Now we have a compiler error, and I have to rewrite the nifty class to conform to my container’s API instead of the C++ Standard Library API. So much for reuse. You know what they say, you can solve any problem by adding enough layers of indirection! So let’s do that real quick. // This goes in the reusable library template <typename Policy> class ThingWhatDoesCoolStuff { private: // YES I SWEAR THIS IS REAL SYNTAX typedef typename Policy::template ContainerType<int> Container; // Give us a member container of the desired type! Container Stuff; public: void AddStuff (int stuff) { using Adapter = Policy::ContainerAdapter<int>; Adapter::PushBack(&Stuff, stuff); } }; // Users of the library just need to write this once: struct MyPolicy { // This just needs to point to the container we want template <typename T> using ContainerType = std::vector<T>; template <typename T> struct ContainerAdapter { static inline void PushBack (MyPolicy::ContainerType * container, T && element) { // This would change based on the API we use container->push_back(element); } }; }; Let’s pull this apart and see how it works. First, we introduce a template "policy" which lets us decouple our nifty class from all the things it relies on, such as container classes. Any "reusable" code should be decoupled from its dependencies. (This by no means the only way to do so, even in C++, but it’s a nice trick to have in your kit.) The hairy parts of this are really just the syntax for it all. Effectively, our nifty class just says "hey I want to use some container, and an adapter API that I know how to talk to. If you can give me an adapter to your container I’ll happily use it!" Here we use templates to avoid a lot of virtual dispatch overhead. Theoretically I could make a base class like "Container" and inherit from it and blah blah vomit I hate myself for just thinking this. Let’s not explore that notion any further. What’s cool is that I can keep the library code 100% identical between projects that do use the C++ Standard Library, and projects which don’t. So I could publish my callback system exactly once, and nobody would have to edit the code to use it. There is a cost here, and it’s worth thinking about: any time someone reuses my code, they have to write a suitable policy. In practice, this means you write a policy about once for every time you change your entire code base to use a different container API. In other words, pffffft. For things which aren’t as stable as containers, the policy cost may become more significant. This is why you want to reuse in only carefully considered ways, preferably (as mentioned earlier) when you have several use cases that can benefit from that shared abstraction. Concluding Thoughts One last idea to consider is how the performance of this technique measures up. In debug builds, it can be a little ugly, but optimized builds strip away literally any substantial overhead of the templates. So runtime performance is fine, but what about build times themselves? Admittedly this does require a lot of templates going around. But the hope is that you’re reusing simple and composable components, not huge swaths of logic. So it’s easy to go wrong here if you don’t carefully consider what to apply this trick to. Used judiciously, however, it’s actually a bit better of a deal than defining a lot of shared abstract interfaces to decouple your APIs. I’ll go into the specific considerations of the actual callback system later. For now, I hope the peek at policy-based decoupling has been useful. Remember: three examples or you don’t have a valid generalization! View the full article
  40. 4 points
    @TobyTheRandom I don't mean to sound rude (and conciseness is generally a good thing), but this question, as stated, is too vague to be useful. First off, what kind of "beginner" are you referring to? Beginning game designer? Artist? Gameplay programmer? Musician? Some/All of the above, or perhaps something not mentioned above? What are your goals? Are you more of a tinkerer/coder, or would you prefer to use a drag-and-drop can workflow? 2D or 3D? Are you trying to make mobile games, PC, console? Etc. A bit more context would help. And then, even after we have more context, the "what's the best engine..." type of question tends to just open the floodgates for a holy war of Unity vs Unreal vs hand-write-your-own-engine vs some other choice. There is no "right answer" to a question like this. But at least with more knowledge of what you want to do, we can point you towards tools that will help you accomplish your goals.
  41. 4 points
    They're equivalent so it doesn't really matter what you pick. Global functions that share hidden static state of extremely common in C. I guess singletons are more common in C++ as they're OOish. Fighting for a better singleton is like hoping to step in a better dog turd though...
  42. 4 points
    1) You shouldn't be unloading entire entities just because they're temporarily out of view. 2) Even if you do have to unload something, you can maintain a cache of important data about it if you like. But, see the previous point and the next one. 3) You shouldn't be matching things by names anyway. That's what IDs are for. And you would expect those to be sent with every message that concerns that entity.
  43. 3 points
    Hi! We are Evil Corporation Games, an indie studio, which was founded in 2016. In April 2017 our first game project - Star Story: The Horizon Escape (a text turn-based adventure RPG with 24+ alternative endings) was released on Steam. We are currently working on our next game - TERRORHYTHM. That will be rhythm + beat'em up action in the style of cyberpunk. In this blog we will inform you about our game projects and the latest news about it. First post we would like to dedicate to our first project call "Star Story: The Horizon Escape". It was released on Steam 05.09.2017 (http://store.steampowered.com/app/610310/), then it was published on itch.io, g2a.com and gamersgate.com. Was a work experience with chrono.gg. Soon Star Story will be available on kinguin.net and greenmangaming.com also. It’s a text turn-based adventure game with elements of RPG. The plot is developing in accordance with the actions of the player; there are 24+ alternative endings of an exciting adventure. Trailer: A spaceship of archeologist Van Click crashes, and he finds himself on the last unexplored planet in the whole galaxy called “Horizon”. As the Hero is trying to get out from this planet, he meets various inhabitants of unknown locations; he has to struggle for life encountering extremely aggressive species of Fauna and resolving various puzzles. The end of this eventful flee from the Horizon planet depends only on the player’ choice. In this game we have mixed the mechanics of dialogues, choices, turn-based battles, puzzles, crafting and technology researches. Work on this game lasted 1 year. And before an official release Star Story took the first prize in the nomination «Best PC game» according to Indie Cup 2017 and got the first place in the Deconstruction Workshop at the White Nights St. Petersburg 2017 conference. As it our first post, in honor of it we would like to share 5 STEAM keys to Star Story for our very first readers and friends here: FZGMK-9HVVZ-R6HY4 6RYY4-VBX2Z-67X2B 3VGHH-Q8YY9-LTW73 J4CRJ-ZAZFT-X8FIV HG8RV-IQ8Y4-IEH8A Very soon we will post the early details of our new project making, that will be released Spring 2018.
  44. 3 points
    The only problem I've ever had upgrading from Windows 7 -> 8 -> 10 was that the file associations for viewing .png/.jpg files got reset each time and I'd have to change them. Visual Studio and all of my Steam and non-Steam games have always worked afterwards. I don't use Norton so I can't vouch for it.
  45. 3 points
    The older version of this topic is getting quite dated, with some broken links and notable omissions, so after 8 years it's high time for an update. This is a list of free graphics for games but aims to avoid sprites ripped from existing games in favour of ones that may be legally used in your work. Please feel free to submit your own suggestions, but note that any off-topic posts and all spam may be removed from this topic. Be sure to check the licensing terms before using any of the linked graphics. Free Airplane Sprite Pack A free .zip package right here on GameDev.net containing various aircraft from different (mostly side or top down) angles. Includes fighter jets, bombers and cargo planes. Provided by our very own (but recently inactive) @Prinz Eugn (Mark Simpson). Free for any use with attribution to the author. Kenney Assets A huge collection of freely available assets (both 2d and 3d) for many different styles of games, available under CC0 1.0 Universal licensing terms. In addition to the free assets, Kenney's work is supported by the sale of cheaply available asset packs which you'll find linked at the top of the page, and the fantastic Asset Forge which allows the easy creation of customised game assets. SpriteLib GPL A free .zip package of 2d games sprites by Ari Feldman, now available under a Common Public License Version 1.0. Unfortunately, the original website is no longer online, but the sprite package is attached to this post for you to download: spritelib_gpl.zip Contains sprites for a platform game, Pong/Breakout/Arkanoid style games, overhead shooter in the style of 1943, and a maze combat game in the style of Tank Force. Lost Garden Freely provided graphics from Daniel Cook of Lost Garden & Spry Fox, under licensing terms explained on this page. Danc's Miraculously Flexible Game Prototyping Tiles Danc's Miraculously Flexible Game Prototyping Graphics for Small Worlds 250 free hand-drawn textures Tyrian ships and tiles Tiles for Zelda-like RPG Complete set of 8-bit Sinistar clone graphics Unreleased RTS Postmortem: 'Hard Vacuum' (graphics near end of post) In addition to the above, Daniel also has a couple of 'Game Prototyping Challenges' where he provides the basic outline of a game design and challenges people to implement and iterate on the design to hopefully create a fun game. A couple of these challenges come with freely provided graphics, although in this case the assets are intended for use if undertaking the challenge (a fantastic learning exercise!) in question rather than for general use: Prototyping Challenge: Play With Your Peas Prototyping Challenge: Fishing Girl Glitch - Public Domain Art (and code) All assets from a defunct web-based MMO game, made freely available under CC0 1.0 Universal licensing terms. Get it HERE. Most of the graphics are available in .fla and .swf formats. Quaternius Quaternius offers a large range of basic low-poly models with CC0 licensing. You can also support his efforts by purchasing all of his sets in a single file for $1. OpenGameArt.org OpenGameArt have a huge collection of different art, constantly added to by new and existing contributors. Quality and style vary, but there is some really good material available if you're willing to spend some time looking. Note that licensing terms vary, so be sure to check each item's license before use. Game-Icons.net At the time of writing, Game-Icons.net offers 3044 free icons in SVG and PNG formats with CC BY 3.0 licensing (which requires attribution). The built in editor on the site will allow you to alter the icon size and apply some simple properties (such as background type and colour). AI War 2.0 graphics library Graphics from the space RTS game AI War: Fleet Command. Free for use by indie developers. Get it HERE. Reiner's Tilesets 2d and 3d graphics (use the menu at the top of the site to view categories) available under these licensing terms. GameDev.Market There are some free assets available via the GameDev Marketplace (our very own asset store!). Looking to hire an artist for custom work? Check out our Contractors section, or advertise your project in our Game Jobs board (for paid commercial projects) or Hobby Classifieds forum (for free hobbyist projects). Looking to purchase pre-made assets? Try the GameDev Marketplace, or other asset stores such as GameDev Market (not affiliated with us!), the Unity Asset Store, the Unreal Marketplace, or others.
  46. 3 points
    That's a good point. Making GTA5 exactly as it is now, but back in the 80's, would've cost a hundred billion, not a hundred million This is an issue, yes, because the cost of content production does seem to increase in large spikes with every new generation of games. Early on, $1M was big budget, then $10M, then $100M... and now $1M is a good budget for an indie game! I don't know how much that trend will continue though. We're really just seeing AAA game production grow to a level where it's now on-par with blockbuster film production, whereas earlier it was on-par with independent films. The cost of content production constantly does come down as tools improve. The content production workflows for AAA content are constantly having parts of them automated / replaced with procedural solutions. However, this just means that it's now possible to make bigger games than you could before, for the same budget... so that's what AAA will do! As mentioned in other posts, you've now got very cash-poor indies making content that's far surpassing AAA content from decades earlier, because they've got access to amazing tools that completely blow away the tools that those decade-old AAA games were built with.
  47. 3 points
    There are several logical errors in your initial idea. "I am hearing that it is suicide to release your game without any marketing and that’s fine, that makes perfect sense. However, I am also hearing people who have released games saying that their sales on Steam were much much better than Itch.io. This doesn’t make much sense to me and it is a contradiction in terms of the necessity of Indie Game Marketing." No, this is purely a statement about the quantity of people that use each marketplace. If I do no marketing, sell 50 copies on Steam, and 1 copy on Itch.io, it is true that my Steam sales were much much better, but it says nothing about how valuable marketing would have been, if I'd done it. I could have sold 500, 5000, or 50,000 copies on one or either platform with marketing. It's a completely separate issue. "If my game will only go as far as my marketing efforts" Again, it's a mistake to try and draw a direct logical comparison between marketing and success. A few games do well without marketing. A few games almost entirely rely on marketing. But most games that do well have at least some marketing, and a ton of the failed games are from developers who put their game up on Steam, then said "so, how do I market my game with zero budget?" Marketing correlates with sales, because it increases your audience and your sales can only ever be a subset of your audience. It's not a guarantee, but it's not worthless either. "If Steam does, in fact, boost sales simply because it is Steam, then that implies that marketing is not 100% important." To reiterate, the fact that one factor (in this case, 'being on Steam') increases sales does not necessarily mean that (a) it always increases sales sufficiently to be worthwhile, or (b) it increases sales so much that extra marketing wouldn't help. "If I am bringing the customers to my game's storefront....if I am the only one putting all the marketing effort and marketing work into selling my game, why should I give 30% away to Steam?" Because it's not a binary situation of one extreme or the other. Sure, your marketing might drive some people to Itch and you get the full benefits. Some people however, will only buy their games from Steam, so you might have them as an interested customer but never make a sale. Wouldn't you have preferred 70% of their money than none at all? "If releasing a game on Steam, with no marketing at all, will result in $0 sales, why bother with Steam at all?" Again, it's not an extreme, or a yes/no situation. Being on Steam means several extra opportunities to access customers. Some of those customers would use Itch.io. Some would not. Sometimes being on Steam means you get on the front page and reach thousands more people. Sometimes it doesn't. "So which is true here? Releasing a game with no market is guaranteed to bring in $0 sales or does releasing a game on Steam mean that some sales will come in with no marketing effort at all, simply because you are on Steam?" Obviously I'm repeating myself but neither is true. It's not black and white. These things all interact. There reason you can read almost contradictory reports because everything is on a sliding scale and because it differs from one game to the next. All you can do is maximise your chances, and that means doing whatever marketing you can, and considering whether the 30% cost of Steam is worth it. (P.S. Please don't launch at $4.99 unless your game is shovelware. Price higher to begin with, reduce in the sales later.)
  48. 3 points
    As well as picking between low-level (API wrapping) or high-level (scene type stuff -- models/materials/etc), you also have to choose whether you'll be making a state-machine API or a stateless API. GL/D3D/etc are all state-machines, so a simple wrapper will also be a state machine. Stateless rendering APIs are IMHO utterly superior though, so personally I'd recommend going down that path The big alternative is to do compile-time API selection instead
  49. 3 points
    If you want this to work, I would start the implementation with two APIs. AZDO GL 4.5 and DX11 would be sufficient. Trust me, this will expose a lot of blindspots that you miss even if you're pretty familiar with multiple APIs. Been there, done that, have the wide-ranging commits to atone for my oversights.
  50. 3 points
    Hello! My name is Mika Pilke and I've been a hobbyist musician and music writer for about 20 years. For now I haven't been too active looking for projects that need sounds or music, but I'd like to change that. I've also been active gamer for 25 years, and it has been sort of a dream of creating them too. And since I like creating different atmospheres, it would seem quite logical move to offer my skills for someone who is developing them. Though of course I'm willing to do music for a lot more than for games only, if needed. I do have to mention that I'm not a rock-hard pro, but I am very serious with my stuff. Two years ago there was one project for what I did 30 songs/ambiences, but game never actually was finished. Does not really matter though, since it was a fun journey and did give some important experience nevertheless. I'm not sure of the total amount of songs I've done, but it is far over 100. As an artist I am quite versatile. I do have tendencies of creating a bit darker atmospheres, but really, feel free to ask anything or offer any kinds of projects! I might have something up in my sleeve. For now I have been mixing and mastering my work alone, but for commercial projects I do have some contacts I can use to master and enhance my creations to top quality (two ambient songs listed below are mastered a bit too quiet, since I lacked some tools for mastering back in the past). Right now I do have a full time job, so if you need 20 song in two weeks, I probably won't be able to do them all for you. But if you give me a month or (rather) few months, it definitely shouldn't be a problem. :) Anyway, here's some of my recent work. Everything you hear or see is my work (photos, 3D-modeling, animation, shooting, music, mixing, singing, editing ect.). Everything except artwork in the video of the song Hellbreaker in which Jaime Jasso has been creator of all the visual art. Dreamland Synthesis - Awaiting This song was made to serve as menu music or such (horror ect.). Dreamland Synthesis - Morbid Tomorrow Darkish ambient. Dreamland Synthesis - Nebula Core This one would maybe be suitable for some dark scifi-styled horror game. Dreamland Synthesis - Hellbreaker I think when I wrote this song I was imagining some sort of moment being chased. Dreamland Synthesis - In Peace With this one, my goal was to do a song that would fit to a RPG or JRPG. Village music? Dead Cold Ground - Towards Eternity This was my project at the beginning of this year. It kind of got out of the hand, and took almost a month to finish. :) Working alone takes it's toll.