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Mulahey

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  1. The film has finally been uploaded on youtube: https://www.youtube.com/watch?v=CVx9Q85qQ40
  2. Hi there,   since my thread to "Journey Onward" is older than 60 days I couldn't reply to it I just wanted to inform you that I undertook the challenge of transcribing my "Journey Onward" for piano solo.   https://youtu.be/RgFdfjqNtag   I tried to stay as true as possible to the original orchestral version, especially in keeping the bass ostinato as well as the off-beat fills for pizzicato strings beneath the melody vocings. Hope you'll enjoy.   Dustin
  3. Hey Kasu, thanks a lot for your very detailied feedback, you gave the cue a thorough listen.  Really appreciate it! :) Indeed, you made some insightful points concerning the structure and instrumention of the coda. I certainly must rework this piece someday (particularly to apply some stronger midi modifiers for humazition effects and more overall reverb). On this occasion, there also will be also some major adjusments for the final build-up. An epic march feeling sounds great so me! @0:29: The short c in the beginning of this bar (in the melodic line, the intended sound is a medieval zither by the way :D) is supposed to be somekind of variation of the main motif (minor third, major, second, perfect fith; all ascending) Maybe there should be some more accent on this particularly note.
  4. Hi there,   I spent the last days working on this little tune...   https://soundcloud.com/dustin-naegel/journey-onward   ...a somewhat rhythmically driven (almost march-like) medieval/fantasy theme soundtrack theme. It's build upon a (hopefully) heroic melody and is intended to accompany the travel montage of a fantasy epic (game/film). If you have some handy tips, especially concerning the mix, please do not hesitate to share your insights. :)   Best regards   Dustin
  5. @Nate: I just reliazed that I didn't reply to your second hint. The main motif is incorporated into the teaser music, but not very obviously. The four deep impact sounds are E, H, E B, which represents exactly this motif. But I was very restricted by what was happening on the screen and couldn't present it in a good old overture style. ;)    @Kasu: Thanks for your thoughts, the overall reverb is indeed a bit imbalanced due to the very different sample banks I used. The percussion clashs are from an old Giga bank, while the piano is from 88Ensemble by SONiVOX.
  6. Hey Nate, thanks a lot for your feedback, really appreciate it! :) You're absolutely right, my piano patch is way too dry. Just forget to put some reverb onto it (the same thing goes for the piano entries on the other tracks).    Of course, as soon as the producers give their o.k. the director will upload the flick on youtube, but I am afraid they will hold it back till the bidding phases for most European short film contests are over, which will take at least 5-6 months. :-/ 
  7. Howdy,   I tried my best to compose the score to a little horror production called „Sarah”, a short film (18-19 min) produced by film students from all departments about a series of murderous events around a remote cabin the woods. It was executed for educational purpose only; nobody involved got any money. The film is to be released online after an initial promotion phase for short film contests, festivals etc. However, I am eager to get some early feedback on the music, especially some hints concerning the mix and the overall sound. Is it realistic enough? If not, what sucks the most? Of course, there were no real accoustic instruments involved. Fell free to tel me what you think about it. :) Maybe you'll recognize the major motif (a falling fourth/tritone shift) here or there. ;)   https://soundcloud.com/dustin-naegel/resolution-and-end-credits https://soundcloud.com/dustin-naegel/a-dark-discovery https://soundcloud.com/dustin-naegel/shortcut-through-the-woods https://soundcloud.com/dustin-naegel/interrogation https://soundcloud.com/dustin-naegel/an-axe-in-a-nature-reserve https://soundcloud.com/dustin-naegel/run-away https://soundcloud.com/dustin-naegel/opening-teaser   Best regrads   Dustin  
  8. Thanks for your detailed feedback, both of you. :) I will continue to work on these tracks. In my opinion, the mixing process is quite more demanding than the actual composition itself. ;) 
  9. Hi there,   I am assigned to write the music for a German independent point-and-click adventure in the style of Monkey Island, Sam and Max etc. It's about a cat named Miguel in the role of a detective finding the murder of his master. Most likely it will be freeware and hopefully there will be an English translation. I would like to know what you think about these pieces (especially concerning the mix). I tried my best to jazz them up a bit and spent a lot of time on this project.   Thanks a lot and best regards :)   Dustin   https://soundcloud.com/dustin-naegel/on-the-prowl   https://soundcloud.com/dustin-naegel/main-menumap-screen   https://soundcloud.com/dustin-naegel/downtown-chase   https://soundcloud.com/dustin-naegel/feline-investigator-shuffle
  10. Hi, I just finished the overture for a space related adventure game called Space and Beyond (wt). The game itself is still in development. The chief programer wanted it to be as "bombastic as possible",so I tried my best... Though it was a very time consuming work, I am still not entirely satisfied with the overall sound, especially the brass lines. Maybe you could give me some hints on how to make it sound more realistic. Thanks a lot! :-) https://soundcloud.com/dustin-naegel/space-and-beyond-march-to-the-stars-main-title Best regards Dustin
  11. Thanks for your feedback and the tips, that helps a lot! And I am glad that you like it :-) @ ddrummerman: yes, you're right about the triplet motif. In the piano transcription I did exactly that: https://www.youtube.com/watch?v=TypTaDVoBbM   By this time I finally got the chance to score my first little short film. You can check it out here:  https://www.youtube.com/watch?v=pMrSCqL6dBo
  12. Hi there,   my name is Dustin and I am from a small town next to Cologne, Germany. I started venturing into the world of music as late as the age of eleven when I got my first piano lessons. Right from the start I wanted to play some stuff from my favourite movies and after a while a tried to compose my own modest little tunes. Apart from that, me and brother always loved to fool around with a camcorder and to produce our own embarrasing flicks. I found the most enjoyable part of the process was putting music to the picture. After a while I became curious to apply some self-made music and started some experimentation. However, I never really considered a career in the film industry or something alike since besides music I have another huge interest in science, especially life science. This resulted in the choice to study biology and chemistry (as well as to minor in music pedagogy).   Despite the fact that I'm not aiming to write music for a living, I invest a large part of my scarce leisure time to compose, using sequencer plus some software synthesizers and a notation program. For piano solos I take an analogue approach. I am very curious to know what you think of my stuff here and eager to learn more! It's just for the fun of it and platforms such as youtube and soundclick are great tools of presenting it to a wider public. Glad if you enjoy my pieces, if not: please say so. I really appreciate any comment, either commendation or critique.   http://www.soundclick.com/bands/page_music.cfm?bandID=674265   My latest big ensemble composition:   http://www.youtube.com/watch?v=f1JjRaLCdjk   I hope you like some of the pieces. Would be great to hear your opinion.   Have fun!   Dustin