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About jkuehlin

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  1. Hello guys (and gals) Just tried updating unity from 2018 to the 2019.3 alpha. I get these console errors even when opening a blank project. Would anyone be kind enough to explain what's causing them and what the remedy is? Thanks!
  2. Say (hypothetically) a company is looking to deploy an app on Steam VR, Google VR, and any other VR app. Do software devs and companies typically manage the differences in the way the game or app is coded and launched to different platforms? Do you make the changes to the main part of the game then tweak them for each platform? Just curious. Thanks!
  3. Brand new at creating games. When creating items to be equipped to a player in an RPG style game, how are the data and stats typically managed? Here is a screenshot from a Udemy course. It covers how to create the inventory panel but does address how data for large numbers of items are best managed. Say you have 30 different swords and 30 different shields. Do you create lists of these items inside a script in Unity? Or is it better to create them in an xml or spreadsheet and port it using linq or something like that? How do you set up and manage the all of the item stats for these types of games? Thank you!!
  4. I'm creating a simulator game in Unity. I understand how to generate random items from a list of variables. What I'm not sure is how to do it within a menu using the Unity UI. In the game, I'd like to create contracts inside of text box that the player can accept. If they highly the contract and hit 'accept', it begins a timer. There's 2 ways of doing this, and I'm specifically trying to do the second. The first way which I'm NOT wanting to go for, is generating buttons. Here's a screenshot example from Megapolis What I'm trying to figure out is like this, from Software Inc... the randomly generated items simply appear as text. ...but that show data columns. (My interface doesn't need to be anywhere near this detailed). I'm just wondering how to pack these items into a list... I can figure out how to make it look pretty later. Thanks -Jonathan
  5. I originally invested in Nuendo for broadcast and cinematic post. If buying for gaming I'm not sure I would mess with it until you're certain you could make good use of the game audio connect feature. Even then, if buying it just for that, its not worth its sticker price. I think there's a competitive cross grade available for $1000 if you own a Pro Tools HD license.
  6. jkuehlin

    my new audio reel!

    Very interesting!! Another thing I'm not clear on: Does it matter if you've put them in a game vs you CAN put them in a game. The first requires you to show that you've been hired and successfully created them for a game. The second is essentially no different than having created them for a movie, and dumping them on a linear youtube reel. Essentially hoping they'll hire you on the basis that you have the knowledge to create cool stuff if asked to. I hope that question makes sense. Basically I'm asking if merely demonstrating the skill (of sound design) in a video is enough to get you going. Since he video isn't a game.
  7. jkuehlin

    my new audio reel!

    Ah. I understand. What are some examples of types of sounds they WOULD find unique? Even if you haven't personally done them, what are some things those guys don't see on your run-of-the-mill reel?
  8. My very first post on this forum when I first joined was a question about how helpful to know C#... Bryan Schmidt wrote an interesting response (and I think Nate did too) about how some of the more ambitious designers typically develop a working knowledge of the language. A year later into Unity, I'm realizing that writing code and being able to read it are two different things. Sort of how writing books vs reading/understanding a competently book one aren't the same skill set. Its obviously to necessary to understand the language a movie script is written in to know how to write a score for the movie, but a music composer will almost never be tasked with writing parts of a script. I confess I still have a long ways to go before I can follow along with the code in a game. Do you guys who are doing this for a living get to the point where you're able to turn assets into a playable game? Or do you get to a place where you're comfortable navigating a game then leave the rest to the professional programmers? I've had the privilege of working on several very interesting games, but not as the guy who implemented audio, which is my goal. I don't have much of a desire to write music, its really not my strength. I'm a musician and mix engineer, but not a composer.
  9. Just curious if anyone has had any thoughts on this. I upgraded to the latest version of Nuendo a while back but still haven't had time to get it locked up with Wwise. Its on the to-do list. I'm back to studying code again, so hopefully will be making another go at this stuff soon!
  10. jkuehlin

    my new audio reel!

    Nate, I have a question. I thought Giorgio's video displayed a good solid amount of technical background knowledge. And to me it seemed like the way he put the video together would have been useful for something. Aside form the length of his video, Is the main idea behind your critiques that the elements he uses to illustrate the middleware and process aren't sophisticated enough to demonstrate an advanced enough skill set? Or is it more that they just don't care how its done... and they will only judge it by the final presentation? Could a video like this be used as a supplement to a demo reel? I'm asking because I'm contemplating how to put mine together but I don't have enough material to form into a meaningful one yet.
  11. Tried to find a working link... all of the give me a 404 page not found error
  12. Wow! This is EXCELLENT advice!! I'm in complete agreement with nearly everything that was said on that last video. There's only one point I might slightly differ on, and that's the notion of debt. I wouldn't be opposed to seeing a student who's graduating Full Sail or Berklee use a couple thousand dollars of 4th year loan money to acquire their base level tool set. The reason is that $2k can be spread over a 15-20 year life of loan payments minimal, and the interest is fixed at a government rate, which is lower than any personal loan you could possibly attain. I also don't have a problem with people financing a Focusrite Scarlett or a Rode NT1 using a 12 month same as cash plan at Sweetwater because the debt of a few hundred dollars is manageable and the risk is low. I know this video is geared toward people just starting out, but I think this rule of thumb would still apply. If a work order requires a specific tool you don't have, I wouldn't be opposed to borrowing to acquire the tools so long as a) the tool is a reasonable asset you wouldn't mind owning down the road and b) the value of the tool to your personal studio doesn't exceed the value of the project which you needed to acquire it for. And another thing on financing...if anyone reading this is willing to do their homework, some states have technology development grants and government subsidized stimulus options that I know for an absolute fact game developer and game audio studios qualify for. At least here in South Carolina. And they don't require you to attain a 501c3 non-profit status to apply for them. Start by checking with your municipal chamber of commerce.
  13. jkuehlin

    Some DAW Questions

    I use Pro Tools HD, Nuendo 8, Digital Performer, Ableton Live, Logic Pro X, Studio One Professional 4, and Reaper. Any of these will work for basic audio, and you only need one DAW. I work with a wide variety of professional producers, but its perfectly normal for a studio to only use one or two DAWs.
  14. I think the concept is a wonderful idea but the examples that are on that demo reel need a LOT of work. I seems that it would benefit you to have some long and in-depth conversations with people who understand how music structured and how arrangements are built. Going off what I'm hearing on that video, your AI has got to be infinitely more refined before its going to become a usable tool, not to mention a sellable one. Kudos for making the effort to explore the use of AI in music. Keep at it! I hope you guys get there Neat project.
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