• Announcements

    • khawk

      Download the Game Design and Indie Game Marketing Freebook   07/19/17

      GameDev.net and CRC Press have teamed up to bring a free ebook of content curated from top titles published by CRC Press. The freebook, Practices of Game Design & Indie Game Marketing, includes chapters from The Art of Game Design: A Book of Lenses, A Practical Guide to Indie Game Marketing, and An Architectural Approach to Level Design. The GameDev.net FreeBook is relevant to game designers, developers, and those interested in learning more about the challenges in game development. We know game development can be a tough discipline and business, so we picked several chapters from CRC Press titles that we thought would be of interest to you, the GameDev.net audience, in your journey to design, develop, and market your next game. The free ebook is available through CRC Press by clicking here. The Curated Books The Art of Game Design: A Book of Lenses, Second Edition, by Jesse Schell Presents 100+ sets of questions, or different lenses, for viewing a game’s design, encompassing diverse fields such as psychology, architecture, music, film, software engineering, theme park design, mathematics, anthropology, and more. Written by one of the world's top game designers, this book describes the deepest and most fundamental principles of game design, demonstrating how tactics used in board, card, and athletic games also work in video games. It provides practical instruction on creating world-class games that will be played again and again. View it here. A Practical Guide to Indie Game Marketing, by Joel Dreskin Marketing is an essential but too frequently overlooked or minimized component of the release plan for indie games. A Practical Guide to Indie Game Marketing provides you with the tools needed to build visibility and sell your indie games. With special focus on those developers with small budgets and limited staff and resources, this book is packed with tangible recommendations and techniques that you can put to use immediately. As a seasoned professional of the indie game arena, author Joel Dreskin gives you insight into practical, real-world experiences of marketing numerous successful games and also provides stories of the failures. View it here. An Architectural Approach to Level Design This is one of the first books to integrate architectural and spatial design theory with the field of level design. The book presents architectural techniques and theories for level designers to use in their own work. It connects architecture and level design in different ways that address the practical elements of how designers construct space and the experiential elements of how and why humans interact with this space. Throughout the text, readers learn skills for spatial layout, evoking emotion through gamespaces, and creating better levels through architectural theory. View it here. Learn more and download the ebook by clicking here. Did you know? GameDev.net and CRC Press also recently teamed up to bring GDNet+ Members up to a 20% discount on all CRC Press books. Learn more about this and other benefits here.

remdul

Members
  • Content count

    233
  • Joined

  • Last visited

Community Reputation

176 Neutral

About remdul

  • Rank
    Member

Personal Information

  1. Windows Installer has been an utter disaster since day one. It was supposed to (partly) solve DLL hell and dependencies, but the exact same thing is the core flaw of MSI: you need to install Windows Installer software to use installers based on it. Mind boggling. I also don't understand why most MSI installers require the MSI files to remain resident on the system to uninstall said software. I have had to re-install numerous Windows boxes just to be able to install software because MSI broke something during a previous attempt. For example if you have an older version of MSVC installed, and deleted it's installer, you cannot remove it. Sow when you attempt to install a newer version it will not allow you to continue it without removing the older version...which you can't. As end user I've found MSI difficult to use, let alone attempt to use it to create installers for my own software. I favor distributing plain old ZIP files and manually installation. And when I want to appear professional, NSIS does a better job than MSI ever can, simply because MSI is fatally flawed by design. (Just to dispel preconceptions that I'm a MS-basher; I think that VB6 is the best product MS ever created and still use it occasionally).
  2. Interesting, will definitely try Sculptris. As a 3dsmax-whore I couldn't get used to the ZBrush GUI after repeated attempts (nor Blender, for the same reason). I tried Mudbox, but it is a complete joke. And kudos on those player models, they look great.
  3. The term you may want to search for is "swept sphere". There are 2 issues here: 1) time of impact 2) tunneling (fast moving sphere passing through triangles) I will not go into #1, in many practical situations you can ignore it. Collision response will be less accurate, but hardly noticeable in most situations. I also have no idea how to implement swept sphere collision correctly, some else might explain it. There is a workaround for #2 however, usually sufficient for most games; after you've integrated the sphere position, do a ray-test from the old sphere position to the new position. Then, whenever the sphere center has passed the triangle plane, you can project an approximate contact point onto the triangle, and move the sphere back so it no longer intersects. Unless your trimesh has lots of concave features such as 'v-cliffs' or other tight spots, this should work fine. If it does, you can do another ray-test when correcting the sphere position (recursively; every time you apply a correction). It should never be able to pass through triangles, but remember to add a max recursion or you may get stuck in an infinite loop (3-5 is usually ok) in tight situations. One thing I would suggest though, is to collect all sphere-triangle intersection points, before correcting the sphere position. Not just the deepest contact intersection, but every single sphere-triangle intersection point. Store them in an array, something like this: struct contact { float3 position; // intersection point on triangle surface float3 normal; // triangle normal float depth; // penetration depth int faceIndex; // index of trimesh face (useful to look up surface info such as bounce, friction etc) }; Some raw trimesh-sphere col-det code that may give you some ideas: // collides collider with sphere void CCollider::SphereTest(const float3 &pos, float radius, CContactGroup &contacts) const { // quick bounds test if (!bounds.QuickSphereTest(pos, radius)) return; // test faces for (int i=0; i<facenum; i++) { const float3 &v1 = vert[ face[i].v1 ]; const float3 &v2 = vert[ face[i].v2 ]; const float3 &v3 = vert[ face[i].v3 ]; const float3 &fn = face[i].n; // backface culling if (DotProduct(fn, pos - v1 ) < 0.0) continue; // get closest point on triangle const float3 cp = ClosestPointTriangle(pos, v1, v2, v3); // dist to point const float depth = Distance(pos,cp) - radius; // no penetration if (depth > 0.0) continue; // create sphere contact contact c; c.pos = cp; c.norm = Normalize(pos - cp); c.depth = -depth; c.collider = this; c.face = i; c.id = face[i].id; contacts.Add( c ); } } Then once you've collided the sphere against every trimesh and other spheres in your world, you can filter out double/similar contacts. Loop through the contacts, and compute the average of contacts that lie on the same plane/position (don't forget to re-normalize the contact normal). For example when a sphere rests on the center of flat quad (consisting of two triangles), the sphere will intersect both edges, resulting into two contacts. Both contacts will have the exact same position, but contact normal (and depth) may be diverging. If you merge these, it will result into a single contact with a normal facing straight up. Once your contacts are all cleaned up, you can correct (solve) the sphere intersections all at once. And this code shows how the contacts are solved. 'pos' is the position of the sphere, and 'vel' is it's motion vector. void Constrain(const float3 &plane, float3 &force) { const float dp = MAX( DotProduct(-plane,force) ,0.0); return force += plane * dp; } // solves constraints void CContactGroup::Solve(float3 &pos, float3 &vel) const { for (int i=0; i<contacts.size(); i++) { const contact &c = contacts[i]; // correct the sphere position pos += c.norm * c.depth; // correct the motion vector as well Constrain( c.norm, vel ); } } Notice that, as well as the sphere's position, you need to 'correct' the velocity vector. Otherwise gravity force applied will increase the velocity each timestep, even though the sphere is not moving. Perhaps this is related to the problem you mentioned. In the code above, the motion vector is simply 'zeroed out' in the contact normal direction, but you can easily add friction and 'bounce' effect. Hope that helps.
  4. Found a solution: custom implementation of the WX functions, and replacing GetMessage with PeekMessage. Sadly, Windows-only code, but likely you can do the equivalent on other platforms, or even more likely you won't have this problem on any platform but Windows anyway. Code snippet: // initializes editor bool CEditor::Init() { // already initialized if (app) return true; // create app app = new CEditApp; // initialize wxWidgets if (wxInitialize(0,0)) { Console.Printf(">>> wxWidgets initialized.\n"); } else { Console.Printf(">>> Failed to initialize wxWidgets.\n"); return false; } // initialize app app->OnInit(); // success return true; } // processes events for editor void CEditor::ProcessEvents() { if (!app) return; MSG msg; HWND hwnd = (HWND)app->GetWindowHandle(); while (true) { if (!PeekMessage(&msg, hwnd, 0, 0, PM_REMOVE)) break; ::TranslateMessage(&msg); ::DispatchMessage(&msg); } } // unloads editor void CEditor::Unload() { if (!app) return; wxTheApp->OnExit(); delete app; app = NULL; } If you use SDL like I did, you must call run the PeekMessage loop before SDL_PollEvents, because SDL will steal *all* messages headed to the application, not only the SDL window. Make sure to pass the WX window handle to PeekMessage, or you will intercept the messages intended for the SDL window in the same way, and your SDL window will starve to death. *Edit: It appears that "wxCheckForInterrupt" can replace the entire content of CEditor::ProcessEvents() in the above code, it does the exact same and is cross-platform. [Edited by - remdul on October 14, 2009 12:00:46 PM]
  5. Oh, wow. Yes I meant the force to be applied as impulse, not over time, though the latter may be interesting as well (for now i want to keep things simple). I figured g * m * d would give me something usefull, but when plugged in it didn't quite work in my simulation. Seems the force is far to small, so I must be missing something (perhaps something to do with timestep). I also could not imagine it would be easy to calculate with drag. I'll have a shot at implementing the above. Thanks guys!
  6. I'm having trouble with an formula to calculate the force required to push a body up to a certain height. That is, the body should reach a velocity of zero at the specified height. Gravity and air friction act upon the body (though perhaps the latter can be ignored as it is likely to be negligible). I want to use this to make the player jump to climb up on an obstacle. Given are: * vertical distance * body mass * gravity (9.8 m/s) * air friction coefficient The answer is probably very simple, but I don't know where to start.
  7. Quote:Original post by AndyEsser Having only experience with nVidia cards, but a beeping noise (similar to a BIOS/Mobo Beep) suggests the card is under powered. It's not a beeping noise. It sounds more like an old fashioned teapot with boiling water, albeit a not as loud. And it's not a glitch, according to nVidia it is a 'feature' (I guess just like diesel V8 makes a roar). AFAIK, it happens just same with systems properly equipped with a proper PSU.
  8. @swiftcoder, I did brief attempt, but the result was a bit disappointing for dense foliage (such as in the above screens). But I think it should work fairly well for grass and 'thinner' foliage. Of course the downside is that you need to do the art (or at least the alpha channel) at 8x or more resolution. 2x or 4x wasn't enough in my tests to make a noticeable difference. @Schrompf: why, sure: Note that this is with depth-testing, without the glDepthMask trick, so it has some ugly edges (reduced by alpha-test with very low cutoff value). We render the skybox after all major geometry, so it would completely overwrite anything above the horizon. You can see that quality wise, it is close to alpha-to-coverage. Of course, less flexible. For low-end hardware and non-multisampled framebuffer we fall back to regular alpha-testing. This actually makes non-anti-aliased images look more consistent. @B_old: thanks, nope it was created by me and one of our artists. cgtextures.com and mayang is a good place to start if you're looking for free high-quality textures. On another note: at some point we had alpha-tested vegetation, with only 4 mipmaps (512x512) to keep the textures sharp in the distance. However, we got complaints about this being 'noisy'. It may also be bad for performance on low-end systems, mipmaps can reduce texture caching traffic since in ideal situations only the mipmap is transfered to cache rather than the entire texture.
  9. Bumpity bump. It's making Mr Smiley double-sad. :((
  10. Yeah, this is a known thing, I've been explained it is due increased power consumption by the GPU, the coil thing tori mentioned makes sense. It has nothing to do with audio hardware though, when I first heard it (GF8000GT) I unplugged the speakers, the sound remained. Enabling v-sync locks the framerate and thus reduces the GPU cycles, and lowers power consumption. Besides reduced noise level you may also see a positive effect on your energy bill. Crazy stuff.
  11. And to illustrate: Btw, shade the leafs by computing the vertex normal from the center of the bushy parts like this (I call this 'veggie-normals'): -construct bounding box of all leaf polygons -construct a line segment that runs in the center along the longest dimension -for each leaf polygon vertex, compute the closest point on this line -create a vector from this point to the vertex, normalize it -store this normal And in your shader, do regular dot3 lighting. This setup will give you nice smooth lighting across the foliage. If you want specular/bump, you can do this also but you'll also need to store the regular vertex normals. Store veggie-normals in the RGB of 4-byte vertex colors, you can use the alpha for other interesting purposes, such as a weight for wind animation etc.
  12. I've experimented with all of the above, and currently use a combination of it, to varying degrees. It mostly depends on the textures used, some 'thin' vegetation such as typical grass will fade out quicker due to the darker average of the alpha channel, whereas thick foliage for tree leafs will become more opaque in the smaller mipmaps. Alpha Blending -smooth, no jaggies -requires depth sorting -lose parallax effect without depth-testing -trouble with other transparency effect (particles, screen-space effect such as DOF, SSAO) -overall not worth the trouble Alpha Testing -tweak alpha cutoff value to match texture -keep texture alpha anti-aliased for smooth edges (use DXT5) Mipmaps -sharpen mipmap alpha -or use point-sampling rather than box/average -or tweaked by artists -DXT1 (1 bit alpha) will make mipmapping at distance thicker, but up close jaggy edges -use distance-fields as Andy mentioned, Valve has a nice paper on this -no anti-aliasing Alpha-to-coverage -nicely anti-aliased -loses alpha density at distance due to mipmapping -scaling alpha * 2 usually fixes this, but makes foliage up close more dense and edges slightly jaggy (can compensate by tweaking alpha) -alternatively use a distance falloff in shader to compensate
  13. Your code seems to be ok, as far as I can tell. I suggest outputting the various components individually and inspecting the result to be sure (e.g. gl_FragColor = specular; ). Unless one of the material/lighting colors you pass is blue, it looks to me that you may have accidentally left GL_ALPHA_TEST enabled, and the 'burn marks' is the scene background you see through the holes.
  14. I have functional parallax working but am wondering what the hell I've actually implemented. Is this normal parallax mapping? Or "Parallax mapping with offset limiting"? If the former, how do I turn the below snippet into the "offset limiting" version? vec3 eye = normalize(eyeToSurfVec); float pheight = (1.0-texture2D(texture4, uv1).a) * pscale - pbias; uv1 += (eye.xz * pheight); (Note: yes, eye.xz, I use this on on a flat floor, everything is in world space.) I've been told I'd want the "offset limiting" variant with "3 steps", to reduce the artifacts which become visible under steep angles. I've never been able to find an actual implementation of this (safe for the sample in the paper), much less in GLSL. Driving me nuts... Mucho thanks!